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Russell M Nelson had this to say:
How do we deal with a statement like that? |
We get forgiveness, not permission. |
The Church Handbook does not prohibit the use of guitars. Unwritten order, anyone? |
I played my trombone in sacrament meeting along with a french horn and flugal (sp?) horn. I thought it quite an approprate sound. Of course I was in the Bishopric at the time and were in the Boston area which tends to be a bit less stuffy than other places out west. On the other hand I could see some overbearing parents who after hearing us play want their little 8 year old tommy to play his trumpet for sacrament meeting and not understanding why he can’t if a member of the bishopric played his trombone. |
In my ward we have recently seen…. Guitar, violin, Flute, clarinet, sax, harp etc. I guess it depends on the ward. |
Once for Sacrament Meeting our bishop facilitated a Messiah sing-in, complete with trumpets and tympani. |
My Stake President plays the violin and several others in the high council play the clarinet, piano, and cello. They weekly open their Stake High Council meetings with a hymn accompanied by the Stake High Council Ansemble. Very wonderful and reverent sounding. |
so does this mean that when the chorus of angels announces Jesus’ return, they’ll have to leave their trumpets back in Heaven? |
Brook White is also LDS. |
The “ask forgiveness, not permission” canard has always bothered me. That’s really the way to we want to manage wards and stakes? That’s really the way to show respect for authority? From what I have seen, taking that approach for relatively trivial matters is the surest way to find oneself in a position where you never again have to ask for either. |
Danithew, David Archuleta is in my aunt’s ward in Utah. |
I think we *should* be sensitive to what helps create a reverent and worshipful atmosphere, but I also wonder if some of our guidelines aid in distinguishing us from our Protestant counterparts. There was a renowned French horn player in my home ward (he was John Williams’ first choice for French horn whenever he was recording), and he would occasionally play in Sacrament meeting. It was always beautiful, never detracted from the Spirit. Frankly, I sometimes get uncomfortable when overly sappy Church arrangements are sung. Those numbers sometimes start sounding like American Idol try-outs. But that might be just my personal sensibility. |
I think in a discussion like this, we have to distinguish whether we’re talking about what’s appropriate in the chapel or what’s appropriate in Sacrament Meeting, because they are two different topics. I think there is much more leeway when it’s a fireside, particularly a fireside designed to showcase a specific music group or style of music. I had to read the Russell M. Nelson quote (which is essentially what is printed in the Music portion of the Church Handbook) twice because when I read the words “Church meetings”, I heard “Sacrament meeting”. To me, firesides are a different thing. The handbook clarifies with regards to sacrament meeting specifically by saying that “some religiously oriented music in a popular style is not appropriate for sacrement meetings.” It goes on to make the same statement about concert and recital-type music. I think there has to be a line drawn, especially when it comes to sacrament meeting. I say this even though the line honestly does not reflect my own personal taste in music. I’m a classically trained organist (with a master’s in music). I personally am glad to not hear any more “pop” style music and would probably not even go to a fireside to hear it. I definitely don’t want to hear it in sacrament meeting. But I don’t get to hear my kind of music in church either. I rarely am moved by the music in my church meetings. It does little for me. One of the most profound spiritual experiences I ever had musically was singing “Praise to the Lord the Almighty” with choir, organ, and brass. It was absolutely breathtaking and exactly how I’d imagine music in heaven. But I will never get that kind of experience in sacrament meeting. However, I still think the “line” is good. I think it is better for church music not to be subject to people’s personal whims in music. For one thing, nothing would please everyone. The magnificent Bach prelude and fugue that would move me to tears would bore most listeners. And the Mormon pop stuff feels trite and superficial to me. So simple hymns and simple, basic instruments are a common ground. People push the edges of that ground as far as they can, but since the ground is there and the line is firm, there is safety, and things don’t go too far. I appreciate this, even if it means giving up a little bit. In many other churches right now the traditional types of worship are giving way to praise bands and rock music. I am grateful we don’t have to worry about that in the LDS church. |
“After seeing a YouTube video of him singing John Lennon’s “Imagine” – I was wondering if he is in fact a Mormon.” Funny. That would have made me wonder if he was a commie, not a Mormon. |
In regards to the Russell M. Nelson quote in comment #1, I think we should follow it. The local leadership (bishopbric or branch presidency) is responsible to guide what happens to church meetings and I imagine if there are special occasions or exceptions, it would be up to them to decide on a case by case basis. Comments #4 and #12 seem to point to possible opportunities that were worthwhile – to be able to listen to excellent musicianship or special arrangements (with wind instruments and the like). I linked to a shorter YouTube video of David Archuleta singing Imagine – but it was interesting to see a longer one where Randy asked David A. why he did not choose to sing the first verse of Imagine. David responded that he liked the message of the third verse. I think Randy might have known David’s background and was perhaps seeing if he could coax a response that would speak specifically to the “no religion” portion of the song. If that was what was going on – good for David for avoiding the potential controversy. |
Re 10: The “asking forgiveness rather than permission” is pretty widely followed, though. One stake president who was installed by Bruce McConkie in the mid-1970s in Idaho says that Bro. McConkie told him, “Don’t ask Salt Lake. If you do, we’ll just tell you no. Seek your own inspiration and do what you think is best.” Church administration is hedged about with myriads of minor rules that are designed to do the impossible–keep people from messing up. There are all sorts of instances in which those rules either don’t address the specific situation or would prevent something good from happening if rigorously followed. If you’re a church leader (and bishops are in charge of music standards in sacrament meeting), probably the best approach is to follow Pres. Hinckley’s advice: “Do the best you can.” You’ll still get in trouble occasionally, though. |
We have many musicians in our ward but few who play polite instruments. Our rule is, If you’re playing with the Spirit, you can play it in our meetings. We’ve had guitar, brass, accordion and bassoon. It has enriched our meetings and the people spiritually involved with them. |
plutarch, I agree, but where I draw the line is when people disregard their own local leaders. I.e., the bishop or the SP says, “no guitars”, and then someone goes ahead and does it without asking so that they don’t get rejected. We like to SLC-bash around the Bloggernacle and complain about how heavy-handed they are, and how great would it be if we could make our own decisions in our own wards … but then our local leaders aren’t in favor of our open-mindedness, then we just want to disregard them as small-minded and petty. We only want to listen to leaders when they agree with us. I know of several instances where a bishop got blindsided by a musical number that he had “approved” (and then was done differently or with instruments he wasn’t told about). |
I’m late to the discussion, and I think I’m a dissenting voice here. I think our music – in sacrament meetings, at least – needs to have the objective of inviting revelation, and I don’t think that’s possible when the atmosphere is too energetic or emotive. I think there is room for more variety at firesides, but if I were attending a ward where the sacrament meeting music were more emotive than spiritual, I would probably look for a different ward. I think it’s a good idea to avoid music that is sappy, loud, or draws too much attention to the performer. |
New York Doll is one of my favorite videos of all time, especially because of my adolescence and young adulthood affinity to punk rock (it exists now, but to a very diminished extent). Personally, those renditions of Poor Wayfaring Man and Come, Come ye Saints blow even MOTAB’s out of the water, actually providing more spiritual lift. We had a brother get up in sacrament and sing a solo. It was very embellished, loud, and I would accuse, self-serving. I another ward a similar situation occured with a brother getting up in Stake Conference, introducing a song and the meaning of it- not having anything to do with the Stake Conference- and belting 4 minutes of mega vibrato. I think Sacrament meeting should be very limited in the extra musical numbers and especially the styles of numbers. Let the Jesus Rock commence at the firesides. |
Kyle M, #14: http://www.oldielyrics.com/lyrics/john_lennon/imagine.html If you read Revelation carefully, there are a lot of parallels to “Imagine”. In the Celestial Kingdom, there is no heaven above you. And there is no hell, since hell ends at the end of the millennium when death and hell give up their dead. There is no indication that there will be any national boundaries (countries) within the 3 kingdoms of glory, and it’s possible that national boundaries will dissolve at the 2nd coming, or at some point in the millennium. There will be nothing to kill or die for in any of the 3 kingdoms of glory. There will be no “religion” (as we currently think of it here and now) in the Celestial Kingdom, as Revelation (and maybe Isaiah) say that no man will have to teach his neighbor about God. Having no possessions, at least nothing carried over from mortal earth life, is another parallel between scriptural account of the Celestial Kingdom and Imagine’s lyrics. There may be some slight conceptual or vocabulary differences, but Imagine can be very easily nuanced to be compatible with either the LDS view of the Millennium or of the Celestial Kingdom. If you want to call “Imagine” communism, then you could apply the same measure to the United Order and call it communism. But communism is the devil’s substitute for God’s order of things. The ideas expressed in Imagine are in essence Celestial. The point of major disagreement is how to achieve that state, man’s way, or God’s way. |
My ward has a Christmastime tradition of singing Silent Night with guitar accompaniment…apparently that is how it was originally written. |
I enjoyed that guitar playing “Come, Come, Ye Saints,” then those guys started singing and that was the bad part. I would buy a recording of David singing “Imagine” today. That’s the best I’ve heard anybody sing that song since the original recording. My cousin, who is almost 70, plays the saxophone (ten times better than Bill Clinton) and she played “Amazing Grace” at a funeral. Brought the house down, figuratively speaking. #4 Steven, you have a point. I agonized through every single piano and voice recital I attended. The only one I liked to listen to was my child. Bbell, where in the heck do you live? I’m coming to your church. You know what, Naomi, I completely agree with you. There’s a fine line. But our meetings stay too far to the right of the line. They bore us right out of our spirituality sometimes. A nice quiet guitar would hit just the right note in my heart, I think. Boy, that saxophone of my cousin’s, it’s reverent, how she plays. It’s sort of funny, this little gray haired grandma getting up in her nice dress and pulling out the sax. |
Anne, You can download David’s performance for $0.99 on itunes. |
We had a controversial musical number a few weeks ago. In my opinion the main problem was that the volume on the speaker system was turned up way too high to the point where the loud parts of the performance were completely clipped and ruined. In fact, it would have worked much better without any amplification. When the bishopric discussed the performance I suggested that this was the real problem with the performance. Everyone else disagreed with me. Perhaps this was because turning down the volume was something they had control of and failed to do. They claimed that the style of the performance was out of bounds. I agreed that it could have used some tweaking, but even the most appropriate number can be ruined by bad amplification. |
Does the expression of Spirit have limits or guidelines??? In the book of Acts, the early Christians were ‘drunk with the Spirit’…and it Blessings! |
Quint Randle lives in my mom’s ward, where we lived for a few years. I attended an Enrichment Night where he and his bandmate played. They were fabulously entertaining, and very gifted musicians. The songs they sang that night (in a member’s home) were fun, uplifting, and upbeat. None of those would have been appropriate in a Sacrament Meeting, IMHO. However, I also can’t imagine Bro. Randle playing those songs in the chapel. Cultural Hall? Bring it. And I promise, this is my last post regarding LDS musicians in my mom’s ward! =) |
Myself personally have had no problems (in Utah even) bringing in ‘different’ instruments. I used to be a pretty decent percussionist and played marimba, xylophone and vibes on several different occasions in Sacrament meeting when I was in high school. I don’t think they would have let me bring in timpani though. |
I’m apparently in the minority here, not having grown up LDS, but I would welcome different instruments and styles of music as part of worship. This idea is limiting ourselves primarily to hymns and musical styles that were present in the 19th century seems awfully limited to me. There’s lot of contemporary Christian music these days that I find quite good and, to me, perfectly appropriate for worship. That said, I must say I was quite disappointed the last time I visited a non-LDS church with a praise band. They had an obviously talented group, and what did they do with it? They sang songs that I could have written on the back of a napkin in two minutes, and then repeated the same lines over and over again. That I wouldn’t welcome. |
My ward has a Christmastime tradition of singing Silent Night with guitar accompaniment…apparently that is how it was originally written. My ward has a yearly appearance of something called “Guitar Nation” at the ward Christmas party. I still think the Christmas songs sound better with organ. Then again, the organists in our ward are better than the guitarists. |